SAT SAT-Critical-Reading Exam Collection - Section One : Critical Reading

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SAT Section One : Critical Reading Sample Questions:

1. Andre's gift for music seemed to be ______; both his mother and grandfather before him had been famed
concert pianists.

A) innate
B) inexplicable
C) simulated
D) prodigious
E) accidental


2. The problem with scoring well on too many SAT practice tests is the tendency toward .

A) success
B) burn-out
C) celerity
D) complacency
E) supremacy


3. Your knowledge of English Literature--to which I am indebted for the first faithful and intelligent translation
of my novels into the Italian language--has long since informed you, that there are certain important social
topics which are held to be forbidden to the English novelist (no matter how seriously and how delicately
he may treat them), by a narrow-minded minority of readers, and by the critics who flatter their prejudices.
You also know, having done me the honor to read my books; that I respect my art far too sincerely to
permit limits to be wantonly assigned to it, which are imposed in no other civilized country on the face of
the earth. When my work is undertaken with a pure purpose, I claim the same liberty which is accorded to
a writer in a newspaper, or to a clergyman in a pulpit; knowing, by pre- vious experience, that the increase
of readers and the lapse of time will assuredly do me justice, if I have only written well enough to deserve
it.
Which selections best indicates how the author believes he will be vindicated?

A) when the limiting country lessens its hold on literary writers
B) when enough readers read over a prolonged period of time
C) when sufficient people cry out for more liberal values
D) when moral values deteriorate over time
E) when well recognized enough to command acceptance


4. He was a un-common small man, he really was. Certainly not so small as he was made out to be, but
where IS your Dwarf as is? He was a most uncommon small man, with a most uncommon large Ed; and
what he had inside that Ed, nobody ever knowed but himself: even supposin himself to have ever took
stock of it, which it would have been a stiff job for even him to do.
The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby
though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial,
he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He DID allow himself
to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and
when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his
actions.
He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a
large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the
Curiosities they are.
One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been
there. It was always his opinion that he was entitled to property. He never would put his name to anything.
He had been taught to write, by the young man without arms, who got his living with his toes (quite a
writing master HE was, and taught scores in the line), but Chops would have starved to death, afore he'd
have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind,
because HE had no property, nor hope of property, except his house and a sarser. When I say his house,
I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a
diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public
believed to be the Drawing-room winder. And when I say a sarser, I mean a Chaney sarser in which he
made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies
and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain."
When he said anything important, in private life, he mostly wound it up with this form of words, and they
was generally the last thing he said to me at night afore he went to bed.
He had what I consider a fine mind--a poetic mind. His ideas respectin his property never come upon him
so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run
through him a little time, he would screech out, "Toby, I feel my property coming--grind away! I'm counting
my guineas by thousands, Toby--grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in
me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind.
Not that he was partial to any other music but a barrel-organ; on the contrary, hated it.
He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many
phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it
kep him out of Society. He was continiwally saying, "Toby, my ambition is, to go into Society. The curse of
my position towards the Public is, that it keeps me hout of Society. This don't signify to a low beast of a
Indian; he an't formed for Society. This don't signify to a Spotted Baby; HE an't formed for Society. I am."
What is the likely connection with property and belonging to society from the Dwarf's perspective?

A) The diamond ring or look alike exemplifies the property noted which is but a beginning to becoming a
member of society.
B) Joining society is predicated upon owning or being able to acquire property and earnings derived from
a phenomenon performer will provide that opportunity shortly.
C) Gaining enough wealth allows one to acquire property and property establishes one as a member of
society.
D) Belonging to society provides one the opportunity to acquire property.
E) Owning property establishes a certain independence and freedoms not enjoyed by a phenomenon.


5. The main purpose of this story is to appeal to the reader's interest in a subject which has been the theme
of some of the greatest writers, living and dead--but which has never been, and can never be, exhausted,
because it is a subject eternally interesting to all mankind. Here is one more book that depicts the struggle
of a human creature, under those opposing influences of Good and Evil, which we have all felt, which we
have all known.
It has been my aim to make the character of "Magdalen," which personifies this struggle, a pathetic
character even in its perversity and its error; and I have tried hard to attain this result by the least
obtrusive and the least artificial of all means--by a resolute adherence throughout to the truth as it is in
Nature. This design was no easy one to accomplish; and it has been a great encouragement to me
(during the publication of my story in its periodical form) to know, on the authority of many readers, that
the object which I had proposed to myself, I might, in some degree, consider as an object achieved.
Round the central figure in the narrative other characters will be found grouped, in sharp contrast--
contrast, for the most part, in which I have endeavored to make the element of humor mainly
predominant.
I have sought to impart this relief to the more serious passages in the book, not only because I believe
myself to be justified in doing so by the laws of Art--but because experience has taught me (what the
experience of my readers will doubtless confirm) that there is no such moral phenomenon as unmixed
tragedy to be found in the world around us. Look where we may, the dark threads and the light cross each
other perpetually in the texture of human life.
What selection best identifies the device utilized as a whole in the opening first paragraph?

A) antagonist
B) allegory
C) rhetorical question
D) epic
E) allusion


Solutions:

Question # 1
Answer: A
Question # 2
Answer: D
Question # 3
Answer: B
Question # 4
Answer: C
Question # 5
Answer: E

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